Wednesday 7 March 2012

Sustainability on the Sly




Sustainability on the Sly

 Landscape Architect Project Coordinator | Omaha, NE, USA
When asked to contribute to BLINK, I struggled to decide what to write about. It was a hard decision, but I did some deep thinking, went out and hugged my favorite tree, and came to a conclusion: Sustainability on the Sly.
When I graduated from the University of Minnesota’s Landscape Architecture program, I came out singing the praises of sustainability and how I couldn’t wait to implement its practices. My first real life project started with a lot of sustainable design aspects, but then I came to experience what is known as value engineering. Unlike graduate school, money (shockingly) matters and sustainability apparently is expensive! In the “blink” of an eye (ha!), a lot of the sustainable design aspects of my project were gone.
While on the surface sustainability seemed to be disappearing, I started to notice something amazing. Sustainable design practices were being added back in disguise. The design team for the Institute for the Culinary Arts building at Omaha Metropolitan Community College took advantage of such an opportunity. An area of the school's parking lot was so flat it was almost impossible to drain to the conventional storm sewer system. Instead of devising a series of complicated pipes, the team investigated pervious concrete. Not only would it drain stormwater directly through it, but it also cleans out any grime or chemicals that the water may have picked up from the parking lot. Two years later, Metro Community College is proud to say they have the largest pour of pervious concrete in Nebraska, and it’s working beautifully!
Another example is seen at TD Ameritrade Park Omaha. The owner’s representative was worried about those crazy college kids jaywalking across a very busy street (hard to believe, but I do hear it happens). The area between the sidewalk and the street was planned to be sod, but we were asked to find something more deterrent. After some research, we found some beautiful shrubs that, although they had no spikes, would keep people from wanting to walk through them. The best part? They are natives and will require less water than non-native shrubs and much less water than sod!
As I adjusted to the realities that exist outside graduate school, I have learned not to lose my enthusiasm for sustainability. If a door closes, look for the energy-efficient doggy door that lets the dog in but also keeps cold air out.

Scale model of the city of Saint-Omer.

Model Cities




Scale model of the city of Saint-Omer.

PARIS—When defending his realm, Louis XIV not only thought big, but he also worked in visionary 3D. In 1668, his war minister, the Marquis de Louvois, commissioned a large relief map of the port city of Dunkirk to be used in planning the city's fortifications. Others followed—huge exact-scale models of frontier cities and their surroundings—hills, gullies, rivers, forests, villages, roads, farms—that might sustain an enemy siege. The royal collection of scale-model cities grew under Louis XV, Louis XVI and both Napoleons, until modern warfare, post-1870, made them obsolete. Of the original 260, some 100 have survived, most housed in their own museum in the Hôtel des Invalides—28 on display, the rest stored in pieces.

Sixteen models from the reserves, some never before shown in public, have been re-assembled under the immense glass-roofed nave of the Grand Palais for "La France en Reliefs"—a spectacular, beautifully mounted, must-see show.

Encased in glass, many with ramps for viewing from above, the miniature cities (mostly scaled 1:600) include Briançon, Grenoble, Strasbourg and a few formerly French bastions now in bordering countries. The largest is Cherbourg, at 160 square meters.

All were constructed in tabletop sections, like pieces of an enormous puzzle, from detailed surveyor drawings. The topography is formed on wooden slats, with details modeled in papier-mâché. Water is oil paint; surface soil is sand sifted onto glue; tinted silk was shredded for vegetation, and wound around tiny wire stems for trees in permanent springtime. Precisely rendered buildings, from houses to cathedrals, are linden wood covered with painted or engraved paper depicting windows, doors and roofs. They were tools of war, but beyond any doubt they remain works of art.

Saturday 3 March 2012


42 Wonderful Works of Water, Snow and Ice Art


What sets works of water art apart from ordinary earth art? For starters, water is an amazingly variable medium with which to work – water flows with gravity, water levels rise and fall with time and water even transforms from a liquid into a solid depending on temperature. From underwater sculpture parks to massive surface installation projects, the possibilities of water art are virtually endless.


Of course the possibilities of water don’t stop with its liquid form. Some of the most amazing works of water art, architecture and sculpture have been done in snow or ice. From massive sculptures and monumental buildings to detailed ice carvings and delicate snow designs, water has at least as much potential at sub-zero than above-zero temperatures. Click to learn and see more about each work of water, snow and ice art:

1,000 Door Building in South Korea


South Korean artist and designer Choi Jeong-Hwa used 1,000 old doors to create an unusual ten-storey door building in South Korea.
This colorful  public art installation titled “Doors” was built in Soeul back in 2009 and I’m pretty sure it holds the record for the most doors in a single building. The building looks really cool, however I would be scared navigating inside it – one wrong door and you’re flying.
“In 1989. I couldn’t really draw so I didn’t think I could become a painter, but I really liked walking. So I used to walk between streets and narrow alleys and discover garbage piles and construction sites. I realized that “normal” people built and created things better than artists or professionals. Plus, what they were making was more natural. I decided against becoming an artist and decided instead to be an ordinary person who thinks like an artist”,  said Choi in his interview to The Creators Project.